Deniliquin-born Art Worker based in Naarm (Melbourne), Andrew Clapham explores a hybridised approach to creative practice. Working across a range of disciplines as both artist and designer. His work explores the abstraction of the altered landscape captured through the use of basic form, image-making, experimental typography and print.
Printmaking underpins Clapham’s visual and conceptual production – he perceives this discipline as an intersection between art and design. Informed by printmaking’s historical links to commercial production and its significance as a creative technology in the visual arts, Clapham explores the relationship between art and design in craft-based practices.
Deniliquin-born Art Worker based in Naarm (Melbourne), Andrew Clapham explores a hybridised approach to creative practice. Working across a range of disciplines as both artist and designer. His work explores the abstraction of the altered landscape captured through the use of basic form, image-making, experimental typography and print.
Printmaking underpins Clapham’s visual and conceptual production – he perceives this discipline as an intersection between art and design. Informed by printmaking’s historical links to commercial production and its significance as a creative technology in the visual arts, Clapham explores the relationship between art and design in craft-based practices.
Signals of an Evolving Hoddle Grid, 2024,
Installation view: Arden Street Station, Image courtesy of Kit Edwards
Alter-, 2021, Installation view: Five Walls,
Image courtesy of Spencer Harrison
Nargundi Sign, 2021, Installation view: Deniliquin (NSW),
Steel Fabrication of Dale Holden
Artworkers Are Still Workers, 2020, Installation view: 33 Saxon Street
A sign of the time, 2020, acrylic screenprint on paper, edition of 32
Forest Guardians, 2019, Installation view: Prahran Square
Image courtesy of (((ex-ponto)))
Print+Form, 2019, Installation view: Siteworks
De Natris Print Commission, 2017, acrylic screenprint on paper, 76 x 60cm