Cerulean and Cobalt Blue Study 2022
acrylic screenprint on Somerset Velvet paper 300gsm, 20x20cm
Edition of 60


Cerulean and Cobalt Blue Study 2022
acrylic screenprint on Somerset Velvet paper 300gsm, 20x20cm
Edition of 60
Deniliquin-born Art Worker based in Naarm (Melbourne), Andrew Clapham explores a hybridised approach to creative practice. Working across a range of disciplines as both artist and designer. His work explores the abstraction of the altered landscape captured through the use of basic form, image-making, experimental typography and print.
Printmaking underpins Clapham’s visual and conceptual production - he perceives this discipline as an intersection between art and design. Informed by printmaking’s historical links to commercial production and its significance as a creative technology in the visual arts, Clapham explores the relationship between art and design in craft-based practices.








Deniliquin-born Art Worker based in Naarm (Melbourne), Andrew Clapham explores a hybridised approach to creative practice. Working across a range of disciplines as both artist and designer. His work explores the abstraction of the altered landscape captured through the use of basic form, image-making, experimental typography and print.
Printmaking underpins Clapham’s visual and conceptual production - he perceives this discipline as an intersection between art and design. Informed by printmaking’s historical links to commercial production and its significance as a creative technology in the visual arts, Clapham explores the relationship between art and design in craft-based practices.




Signals of an Evolving Hoddle Grid, 2024,
Installation view: Arden Street Station, Image courtesy of Kit Edwards


Alter-, 2021, Installation view: Five Walls,
Image courtesy of Spencer Harrison


Nargundi Sign, 2021, Installation view: Deniliquin (NSW),
Steel Fabrication of Dale Holden


Artworkers Are Still Workers, 2020, Installation view: 33 Saxon Street


A sign of the time, 2020, acrylic screenprint on paper, edition of 32





Forest Guardians, 2019, Installation view: Prahran Square
Image courtesy of (((ex-ponto)))




Print+Form, 2019, Installation view: Siteworks




De Natris Print Commission, 2017, acrylic screenprint on paper, 76 x 60cm